Welcome to my World Percussion Workshop. I will be uploading new lessons, articles and videos weekly. I hope you will check back often. Feel free to send a message to me with any comments or topics you would like to see covered in the future. If this material is appealing to you feel free to contact me about a lesson in my studio or via Skype. You may also want to subscribe to my YouTube channel. Thank you and I look forward to staying in touch!
Instruction for students in all instruments (Suzuki, Carl Orff…)
The use of the South Indian rhythmic solfege, Solkattu is used to connect correct sounds and rhythms with the voice. Proper sound production on the instruments is followed by incorporating traditional world rhythms with American Jazz, Funk and proper playing techniques.
Combining digital technology with world percussion Demonstrations on digital looping and DJ technology are combined with world percussion to create a performance concept that spans time and geographic location.
Lesson 1: This is an article that appeared in Jazz Improv Magazine as well as the Sabian Newsletter. It has variations and exercises on the African Ewe Gadzo Ganugbagba rhythm also known as the 6/8 bell pattern. For your convenience I have provided this as a PDF.Download PDF
Lesson 2: This current theme is jazz fill development for the djembe.
In my studies with drumset master Joe Morello we would often use the text by Ted Reed, "Progressive Steps To Syncopation" to develop technique. I like to use it in my teaching because it gives western trained drummers a familiar reference point. For this exercise we will interpret the eighth notes in a jazz triplet feel. The eighth notes are played as open tones and the quarter notes as bass tones. The un-played, but implied, remaining triplets are played as very soft touch strokes. The result is a syncopated melodic line between the eighth notes and quarter notes with the touch strokes serving as an accompaniment. To see an example of me performing this concept on page 38 from the Ted Reed book refer to this link.
Lesson 3: Exercise for 6/8 bell pattern using Ted Reed "Progressive Steps To Syncopation"
Lesson 4: Pandeiro patterns applied to djembe with using Ted Reed's "Progressive Steps To Syncopation"
Lesson 5: Jazz Fill Development For Doumbek
Lesson 6: Exercises For a the Development Of One Hand Tumbao
Lesson 7: Back-Beat Exercises for Frame Drum
This lesson works with some backbeat exercises for frame drum with a bossa type foot pattern. I'm employing dum, ka and pah sounds. Once again I'm using the Ted Reed book as source material. The "line" is played as dum except on beats 2 and 4 which is always played as pah to give a steady backbeat feel. The unplayed but implied eighth notes are filled in with ka on the left hand. The rhythmic inspiration comes from Al Jackson and other great backbeat drumset players. I hope you have fun and enjoy this exercise.
Lesson 8 : Demonstration Combining Doumbek, Djembe and Foot Patterns
This lesson is a brief tutorial on combining doumbek, djembe, cymbals and foot patterns. There is a demonstration on combining the Turkish "split finger" technique on doumbek with the heel-tip technique (originally used on conga and adapted by me) on djembe. I demonstrate a few rudiments with this concept. This is the beginning of how I combine a variety of hand drums to create a hybrid drum kit to replicate a traditional drumset approach, which was my first instrument.
Lesson 9: Demonstration Combining Riqq, Djembe, Cymbals and Foot Patterns
This lesson continues with the above concept of creating a hybrid kit of world percussion instruments. This time I'm combining riqq with djembe, cymbals and foot patterns. I find the low bass tones on the djembe a very nice complement to the higher frequencies of the riqq. I've also chosen to use a pandeiro as the bass drum instrument for the same reason as it has an amazing low register. I'm also playing with some call and response ideas with the block and cymbals. I hope you enjoy this multi-cultural hybrid!
Lesson 10: Demonstration Combining Cooperman Slapback 99, Djembe and Foot Patterns
This tutorial combines the Cooperman Slapback 99, a frame drum with metal shot inside to give a shaker like effect, with djembe, foot patterns and more. It's interesting how exciting the shot inside gives another color to the sound. It's also interesting that the sound has a high register and longer decay than the struck drums. This drum has become a favorite of mine recently. Enjoy!